BEGIN:VCALENDAR VERSION:2.0 PRODID:Linklings LLC BEGIN:VTIMEZONE TZID:Asia/Tokyo X-LIC-LOCATION:Asia/Tokyo BEGIN:STANDARD TZOFFSETFROM:+0900 TZOFFSETTO:+0900 TZNAME:JST DTSTART:18871231T000000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTAMP:20250110T023301Z LOCATION:Hall C\, C Block\, Level 4 DTSTART;TZID=Asia/Tokyo:20241203T154500 DTEND;TZID=Asia/Tokyo:20241203T174500 UID:siggraphasia_SIGGRAPH Asia 2024_sess168_caf_526@linklings.com SUMMARY:Godzilla Minus One DESCRIPTION:Computer Animation Festival, Key Events\n\nKiyoko Shibuya, Mas aki Takahashi, and Takashi Yamazaki (SHIROGUMI INC.) and Keiichiro Moriya and Go Abe (ROBOT COMMUNICATIONS INC.)\n\nIn postwar Japan, Godzilla bring s new devastation to an already scorched landscape. With no military inte rvention or government help in sight, the survivors must join together in the face of despair and fight back against an unrelenting horror.\n\nFrom renowned director, screenwriter & VFX visionary Takashi Yamazaki (The Eter nal Zero, Stand By Me Doraemon) comes GODZILLA MINUS ONE, a film about th e power of home in the face of despair.\n\nThe film stars Ryunosuke Kamiki , Minami Hamabe, Yuki Yamada, Munetaka Aoki, Hidetaka Yoshioka, Sakura And o, and Kuranosuke Sasaki, with music by Naoki Sato.\n\n[Accomplishments]\n \n- The best Visual Effects at the 96th Academy Awards, marking the first time an Asian film has received.\n- Godzilla Minus One is the highest gros sing Japanese Film in US Box Office History.\n\n[Innovations]\n\nWhile the re are only 610 VFX shots, they account for two-thirds of the total runtim e.\n\nTo maintain photorealistic expression while reducing the workload, w e filmed many scenes in parking lots with road conditions similar to the e ra, utilizing the shadows and effects of people and objects.\n\nIn this pr oduction, about 35 core members were responsible for the creation, but the re were only 5 dedicated FX artists. The rest of the staff consisted of ge neralists who handled multiple roles.\n\nNot only the VFX team but also th e filming staff share the final image.\n\nOne of the reasons why such opti mization of VFX is possible is that the director himself creates storyboar ds, holds meetings with many staff members, and the scene construction sta ff directly creates pre-visualizations and then returns to the storyboard. By repeating this process for over two months, we achieve significant res ults.\n\nRegistration Category: Enhanced Access, Full Access, Full Access Supporter\n\nLanguage Format: English Language URL:https://asia.siggraph.org/2024/program/?id=caf_526&sess=sess168 END:VEVENT END:VCALENDAR