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TZID:Asia/Tokyo
X-LIC-LOCATION:Asia/Tokyo
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DTSTART:18871231T000000
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DTSTAMP:20250110T023301Z
LOCATION:Hall E - Talk Stage\, E Block\, Level B2
DTSTART;TZID=Asia/Tokyo:20241204T111500
DTEND;TZID=Asia/Tokyo:20241204T123000
UID:siggraphasia_SIGGRAPH Asia 2024_sess422@linklings.com
SUMMARY:Art Gallery Talks 1
DESCRIPTION:Art Gallery\n\nTheme: Neither Utopia Nor Dystopia\n\nAt SIGGRA
 PH Asia 2024 in Tokyo, the Art Gallery seeks to present groundbreaking and
  impactful creations that intersect art, science, technology, society, and
  the environment. In an era of information saturation, where the essence a
 nd veracity of matters may blur, we champion concrete expressions to reaff
 irm our reality, moving beyond mere idealism.\n\nThe theme “Neither Utopia
  Nor Dystopia” eschews the stark dichotomy often portrayed between utopian
  and dystopian extremes, crafting a realm for patient engagement with the 
 manifold aspects of reality and fostering the gradual maturation of values
 . This thematic direction nudges artists to uncover the subtle allure, int
 ricacy, and profundity inherent in our day-to-day lives, urging them to cr
 aft palpable visions.\n\nThrough the distinctive lenses of artists, we asp
 ire to recalibrate our perception of the interplay between society, the en
 vironment, and technology, thereby enriching our collective comprehension.
  We envisage a tapestry of works that, at times, unveil hidden truths and 
 beauties, and at other times, navigate the intricate web of emotions and r
 elationships, culminating in a corporeal portrayal of our world. In alignm
 ent with these themes, the SIGGRAPH Asia 2024 Art Gallery casts a wide net
 , eagerly soliciting a spectrum of artistic endeavors, spanning artworks, 
 projects, performances, platforms, and communities.\n\nJoin us at the SIGG
 RAPH Asia 2024 Art Gallery in Tokyo, Japan, as we question, explore, and e
 ngage with the intricate and multifaceted realities of our times.\n\nSeman
 tic See-through Goggles\n\nSemantic See-through Goggles are a kind of spec
 tacles, through which the view is once totally verbalized and then re-imag
 ed. The view, in which much of the spatial positioning and material has be
 en reworked, however, does indeed convey the meaning of the scene in front
  of it.\n\n\nGoki Muramoto (University of Tokyo), Yuri Yasui (University o
 f British Columbia), and Hirosuke Asahi (University of Tokyo)\n-----------
 ----------\nIn Vivo / In Vitro - Trial 1.4\n\nIn Vivo / In Vitro - Trial 1
 .4 is an interactive new media installation. It leverages machine learning
  to understand the moment a viewer blinks, ephemerally displaying generati
 ve embryonic imagery during this brief moment of unconsciousness.\n\n\nJoe
 y Verbeke and Koi Ren (Independent Artist)\n---------------------\nMe vs. 
 You\n\nIn this queer multi-channel installation, footage from a wrestling 
 match between the artists is fed through a generative AI pipeline to expos
 e the limits of surveillance-oriented machine vision systems in interpreti
 ng human interaction.\n\n\nAdam Cole (Creative Computing Institute, Creati
 ve Computing Institute, University of the Arts London); Gregor Petrikovič 
 (Independent); and Mick Grierson (Creative Computing Institute, Creative C
 omputing Institute, University of the Arts London)\n---------------------\
 nTAI_ON: Audible Body and Its Enveloping Rhythm\n\n"TAI_ON" is an immersiv
 e installation that invites participants to reconnect with their bodily rh
 ythms within a sculpted, 300-year-old tree. Using a non-contact millimeter
 -wave radar, the artwork encourages participants to tune into their inner 
 signals, fostering a harmonious relationship with their...\n\n\nSEIOH EZAK
 I (Ichihara hospital, University of Tsukuba) and KEIICHI ZEMPO (University
  of Tsukuba; Xtrans tech, Inc.)\n---------------------\nPeep\n\n"Peep," in
 spired by reality dating shows, explores how the internet fuels voyeurism.
  The entire piece comprises three parallel threads, represented by surveil
 lance footage, window, and mirror, converging into a single conclusion. Th
 rough this work, we hope to convey that contributing to the internet...\n\
 n\nChuan Tsai and An Jung Huang (National Tsing Hua University)\n---------
 ------------\nDiverse and Universal Camera\n\nThis video installation coll
 ages footage from the Encyclopedia Cinematographica (EC) using a hybrid sy
 stem of AI-based automatic and manual tagging. It explores connections bet
 ween different eras and regions, visualizing EC's encyclopedic nature.\n\n
 \nYasushi Noguchi and Yuta Ogai (Tokyo Polytechnic University)\n\nRegistra
 tion Category: Enhanced Access, Exhibit & Experience Access, Experience Ha
 ll Exhibitor, Full Access, Full Access Supporter, Trade Exhibitor\n\nLangu
 age Format: English Language\n\nSession Chair: Asako Tomura (Sony Group Co
 rporation)
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