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VERSION:2.0
PRODID:Linklings LLC
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TZID:Asia/Tokyo
X-LIC-LOCATION:Asia/Tokyo
BEGIN:STANDARD
TZOFFSETFROM:+0900
TZOFFSETTO:+0900
TZNAME:JST
DTSTART:18871231T000000
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BEGIN:VEVENT
DTSTAMP:20250110T023301Z
LOCATION:G405\, G Block\, Level 4
DTSTART;TZID=Asia/Tokyo:20241204T170000
DTEND;TZID=Asia/Tokyo:20241204T180000
UID:siggraphasia_SIGGRAPH Asia 2024_sess275@linklings.com
SUMMARY:Tools
DESCRIPTION:Art Papers\n\nThe conference theme, “Curious Minds,” applies t
 o both artists exploring new technologies and critics evaluating their eff
 ectiveness and meaning. Following our curiosity, we artists have misused s
 ystems, hacked devices, devised unusual algorithms and processes, and expr
 essed new colors and forms. What motivates our curiosity, and what are the
  consequences of our efforts? Why obsess over something that no one else s
 eems to care about, or doesn’t have immediate or practical value? Why do s
 omething that someone else finds disturbing? Why here and now? Why you? Wh
 at roles do artists and critics have in shaping the future of computer gra
 phics and interactive techniques?\n\nJoin us in Tokyo this December as we 
 delve into the complex tapestry of Curious Minds. Explore how technology c
 an both disrupt and unify, offering new ways to understand and engage with
  our multifaceted existence and curiosity. Be part of the conversation and
  connect with the vibrant SIGGRAPH arts community here: Digital Arts Commu
 nity (DAC) Of SIGGRAPH Asia.\n\nUnderstated Haptics: Physicalization of Ta
 ctile Memories through a Co-creative Practice between Human and Nonhuman\n
 \nFiguratively speaking, when two surfaces, such as human skin and an obje
 ct’s outsideness, deliberately interact - a third, collateral, and tempora
 ry surface is created. This work presents an artistic framing of tactility
  as a third surface: a tactile co-memory generated through tactile interac
 ...\n\n\nIvana Chaloska, Tatsuya Saito, Junichi Yamaoka, and Kouta Minamiz
 awa (Keio University Graduate School of Media Design)\n-------------------
 --\nThermochromorph: Dynamic Relief Printing with Thermochromic Inks\n\nTh
 ermochromorph is a novel relief printing technique that produces multicolo
 red images that transition into each other through changes in temperature.
  Our process utilizes two sets of CMYK thermochromic inks that exhibit com
 plementary color-changing behaviors: one shifting from color to transparen
 cy...\n\n\nTicha Sethapakdi (MIT CSAIL), Paris Myers (MIT Media Lab), Tian
 yu Yu (University of California Berkeley), Juliana Covarrubias (MIT CSAIL)
 , Mackenzie Leake (Adobe Research), and Stefanie Mueller (MIT CSAIL)\n----
 -----------------\nQ&A\n\nQ&A for the session.\n\n---------------------\nC
 urves Harvesting: Dynamic Morphogenesis through Thermodynamic Sculpting of
  3D Printed Structures\n\nCurves Harvesting explores dynamic morphogenesis
  through thermodynamic sculpting of 3D-printed structures. This installati
 on utilizes polylactic acid's thermal properties to transform planar modul
 es into complex curved surfaces. By controlling water temperature and tens
 ion, it balances deterministic...\n\n\nZiyuan Jiang, Ruoqi Li, and Yasuaki
  Kakehi (University of Tokyo)\n---------------------\nKnitworkVR: Dual-rea
 lity Experience through Distributed Sensor-Actuator Networks in the Living
  Knitwork Pavilion\n\nKnitworkVR integrates dual-reality and digital twin 
 platforms to simulate the Living Knitwork Pavilion in a desert landscape, 
 using real-time sensor data. The sensor network captures movements, intera
 ctions, and spatial positioning of occupants, linking electric field senso
 r data with VR positioning...\n\n\nIrmandy Wicaksono, Lancelot Blanchard, 
 and Sam Chin (MIT Media Lab); Cristian Colon (Massachusetts Institute of T
 echnology); and Joseph Paradiso (MIT Media Lab)\n\nRegistration Category: 
 Enhanced Access, Full Access, Full Access Supporter\n\nLanguage Format: En
 glish Language\n\nSession Chair: Everardo Reyes (Université Paris 8)
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