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PRODID:Linklings LLC
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TZID:Asia/Tokyo
X-LIC-LOCATION:Asia/Tokyo
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TZOFFSETFROM:+0900
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BEGIN:VEVENT
DTSTAMP:20250110T023302Z
LOCATION:Hall C\, C Block\, Level 4
DTSTART;TZID=Asia/Tokyo:20241205T160000
DTEND;TZID=Asia/Tokyo:20241205T180000
UID:siggraphasia_SIGGRAPH Asia 2024_sess171_caf_471@linklings.com
SUMMARY:Sopa Fria
DESCRIPTION:Computer Animation Festival\n\nEmanuel Oliveira (AGENCIA - Por
 tuguese Short Film Agency), Marta Monteiro (Independent), Vanessa Ventura 
 and Nuno Amorim (ANIMAIS AVPL), and Claire Beffa and Sidonie Garnier (La C
 lairière Ouest)\n\nAlthough the narration establishes punctual links with 
 the actions, overwhelmingly these actions are complementary to the narrati
 on and not its literal representation. Thus, parallel with the narration, 
 the film can be understood as having two levels of meaning. One that is co
 mmunicated through drawing, associated with actions centered on the protag
 onist’s day-to-day life or how she interprets what happens to her. The oth
 er level will consist of “found footage,” such as photographs or other ima
 ges, which can either be a scenario or physical space where the narrative 
 takes place, functioning as metaphors, symbols, or other figures of visual
  and narrative style.\nThere is a certain fear that victims (of violence) 
 have in verbalizing or reacting. Because when they do they can be beaten a
 gain, or else they fear seeing their feelings or their situation treated w
 ith indifference. In the film, we will access the protagonist’s feelings n
 ot only through gestures or reactions but also by making her inhabit visua
 l worlds (graphics, photographs, or found footage) and sounds that are cap
 able of expressing, for example, anger, sadness, fear, or insecurity. I th
 ought of the House as a character, not just as décor or an element of spat
 ial location, that acts and transforms according to the situation. If the 
 intention is to show that the protagonist is in danger, the house is a hos
 tile place; if it is to show that there is oppression, the House reacts by
  closing in on the woman, isolating her, or limiting her movements.  In ad
 dition to being an extension (of the violent nature) of the husband, the H
 ouse “acts naturally” in the presence of others. Going back to normal or a
 cting normal when the couple is with them (with their children, for exampl
 e), implies that “whoever is inside the convent knows what is going on ins
 ide.”\n\nRegistration Category: Enhanced Access, Full Access, Full Access 
 Supporter\n\nLanguage Format: English Language
URL:https://asia.siggraph.org/2024/program/?id=caf_471&sess=sess171
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