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TZID:Asia/Tokyo
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TZOFFSETFROM:+0900
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DTSTAMP:20250110T023301Z
LOCATION:Hall C\, C Block\, Level 4
DTSTART;TZID=Asia/Tokyo:20241203T154500
DTEND;TZID=Asia/Tokyo:20241203T174500
UID:siggraphasia_SIGGRAPH Asia 2024_sess168_caf_471@linklings.com
SUMMARY:Sopa Fria
DESCRIPTION:Computer Animation Festival, Key Events\n\nEmanuel Oliveira (A
 GENCIA - Portuguese Short Film Agency), Marta Monteiro (Independent), Vane
 ssa Ventura and Nuno Amorim (ANIMAIS AVPL), and Claire Beffa and Sidonie G
 arnier (La Clairière Ouest)\n\nAlthough the narration establishes punctual
  links with the actions, overwhelmingly these actions are complementary to
  the narration and not its literal representation. Thus, parallel with the
  narration, the film can be understood as having two levels of meaning. On
 e that is communicated through drawing, associated with actions centered o
 n the protagonist’s day-to-day life or how she interprets what happens to 
 her. The other level will consist of “found footage,” such as photographs 
 or other images, which can either be a scenario or physical space where th
 e narrative takes place, functioning as metaphors, symbols, or other figur
 es of visual and narrative style.\nThere is a certain fear that victims (o
 f violence) have in verbalizing or reacting. Because when they do they can
  be beaten again, or else they fear seeing their feelings or their situati
 on treated with indifference. In the film, we will access the protagonist’
 s feelings not only through gestures or reactions but also by making her i
 nhabit visual worlds (graphics, photographs, or found footage) and sounds 
 that are capable of expressing, for example, anger, sadness, fear, or inse
 curity. I thought of the House as a character, not just as décor or an ele
 ment of spatial location, that acts and transforms according to the situat
 ion. If the intention is to show that the protagonist is in danger, the ho
 use is a hostile place; if it is to show that there is oppression, the Hou
 se reacts by closing in on the woman, isolating her, or limiting her movem
 ents.  In addition to being an extension (of the violent nature) of the hu
 sband, the House “acts naturally” in the presence of others. Going back to
  normal or acting normal when the couple is with them (with their children
 , for example), implies that “whoever is inside the convent knows what is 
 going on inside.”\n\nRegistration Category: Enhanced Access, Full Access, 
 Full Access Supporter\n\nLanguage Format: English Language
URL:https://asia.siggraph.org/2024/program/?id=caf_471&sess=sess168
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