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PRODID:Linklings LLC
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TZID:Asia/Tokyo
X-LIC-LOCATION:Asia/Tokyo
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TZOFFSETFROM:+0900
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DTSTAMP:20260817T171532Z
LOCATION:Hall C\, C Block\, Level 4
DTSTART;TZID=Asia/Tokyo:20241203T154500
DTEND;TZID=Asia/Tokyo:20241203T174500
UID:siggraphasia_SIGGRAPH Asia 2024_sess168_caf_471@linklings.com
SUMMARY:Sopa Fria
DESCRIPTION:Emanuel Oliveira (AGENCIA - Portuguese Short Film Agency), Mar
 ta Monteiro (Independent), Vanessa Ventura and Nuno Amorim (ANIMAIS AVPL),
  and Claire Beffa and Sidonie Garnier (La Clairière Ouest)\n\nAlthough the
  narration establishes punctual links with the actions, overwhelmingly the
 se actions are complementary to the narration and not its literal represen
 tation. Thus, parallel with the narration, the film can be understood as h
 aving two levels of meaning. One that is communicated through drawing, ass
 ociated with actions centered on the protagonist’s day-to-day life or how 
 she interprets what happens to her. The other level will consist of “found
  footage,” such as photographs or other images, which can either be a scen
 ario or physical space where the narrative takes place, functioning as met
 aphors, symbols, or other figures of visual and narrative style.\nThere is
  a certain fear that victims (of violence) have in verbalizing or reacting
 . Because when they do they can be beaten again, or else they fear seeing 
 their feelings or their situation treated with indifference. In the film, 
 we will access the protagonist’s feelings not only through gestures or rea
 ctions but also by making her inhabit visual worlds (graphics, photographs
 , or found footage) and sounds that are capable of expressing, for example
 , anger, sadness, fear, or insecurity. I thought of the House as a charact
 er, not just as décor or an element of spatial location, that acts and tra
 nsforms according to the situation. If the intention is to show that the p
 rotagonist is in danger, the house is a hostile place; if it is to show th
 at there is oppression, the House reacts by closing in on the woman, isola
 ting her, or limiting her movements.  In addition to being an extension (o
 f the violent nature) of the husband, the House “acts naturally” in the pr
 esence of others. Going back to normal or acting normal when the couple is
  with them (with their children, for example), implies that “whoever is in
 side the convent knows what is going on inside.”\n\nRegistration Category:
  Enhanced Access, Full Access, Full Access Supporter\n\nLanguage Format: E
 nglish Language\n\n
URL:https://asia.siggraph.org/2024/program/?id=caf_471&sess=sess168
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