BEGIN:VCALENDAR VERSION:2.0 PRODID:Linklings LLC BEGIN:VTIMEZONE TZID:Australia/Melbourne X-LIC-LOCATION:Australia/Melbourne BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 TZNAME:AEDT DTSTART:19721003T020000 RRULE:FREQ=YEARLY;BYMONTH=4;BYDAY=1SU END:DAYLIGHT BEGIN:STANDARD DTSTART:19721003T020000 TZOFFSETFROM:+1100 TZOFFSETTO:+1000 TZNAME:AEST RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=1SU END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTAMP:20240214T070311Z LOCATION:Meeting Room C4.3\, Level 4 (Convention Centre) DTSTART;TZID=Australia/Melbourne:20231213T150000 DTEND;TZID=Australia/Melbourne:20231213T161500 UID:siggraphasia_SIGGRAPH Asia 2023_sess207@linklings.com SUMMARY:Art Papers 2: AI and Art DESCRIPTION:Art Papers - Long, Art Papers - Short\n\nGhost in the Machine : Discourses with AI\n\nAI systems analyze vast amounts of data, uncover p atterns, and make decisions- emulating a semblance of intelligence despite lacking qualia and embodiment that form the basis of the human condition. In this paper, we expound on "Ghost in the Machine", an interactive insta llation that delves into the...\n\n\nPurav Bhardwaj (University of Califor nia Santa Barbara; National Institute of Design, India) and Misha Sra (Uni versity of California Santa Barbara)\n---------------------\n"AI-Generated Imagery: A New Era for the `Readymade'"\n\nThis paper examines the classi fication of digital images created by generative AI systems and their emer gence as art. The term 'art' defies precise definition, but there is a gro wing tendency to label AI-generated images as such. The current discourse on AI-generated imagery as art lacks the nuanced...\n\n\nAmy Smith (Queen Mary University London) and Michael Cook (Kings College London)\n--------- ------------\nReflection on Abstract Art through Kandinsky's Teaching: Ref lection on Abstract Art through Reconstruction of Kandinsky's Teaching at the Bauhaus\n\nWassily Kandinsky is considered as one of the pioneers of a bstract painting in Europe. In this paper, our goal is to develop a user i nterface that models Kandinsky’s analytical drawing process within a compu tational context to advance research in artificial intelligence and the ar ts. A user fi...\n\n\nJungah Son, Marko Peljhan, and George Legrady (Unive rsity of California Santa Barbara)\n---------------------\nAI Nüshu: An Ex ploration of Language Emergence in Sisterhood Through the Lens of Computat ional Linguistics\n\nThis paper presents ``AI Nüshu," an emerging language system inspired by Nüshu (women's scripts), the unique language created a nd used exclusively by ancient Chinese women who were illiterate under a p atriarchy society. In this interactive installation, two artificial intell igence (AI) agents are tr...\n\n\nYuqian Sun (Computer Science Research Ce ntre, Royal College of Art); Yuying Tang (Tsinghua University, Politecnico di Milano); Ze Gao (Hong Kong University of Science and Technology, Hong Kong Polytechnic University); Zhijun Pan (Computer Science Research Centre , Royal College of Art; Ubisoft); Chuyan Xu (New Drama Studio); Yurou Chen (SOAS, University of London); Kejiang Qian (King's College London); Zhiga ng Wang (Tsinghua University); Tristan Braud (Hong Kong University of Scie nce and Technology); Chang Hee Lee (Affective Systems and Cognition Lab, K orea Advanced Institute of Science and Technology (KAIST)); and Ali Asadip our (Computer Science Research Centre, Royal College of Art)\n\nRegistrati on Category: Full Access, Enhanced Access, Trade Exhibitor, Experience Hal l Exhibitor\n\nSession Chair: Victoria Szabo (Duke University) END:VEVENT END:VCALENDAR