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DTSTAMP:20240214T070311Z
LOCATION:Meeting Room C4.3\, Level 4 (Convention Centre)
DTSTART;TZID=Australia/Melbourne:20231214T120000
DTEND;TZID=Australia/Melbourne:20231214T130000
UID:siggraphasia_SIGGRAPH Asia 2023_sess205@linklings.com
SUMMARY:Art Papers 3: Environment and Experience
DESCRIPTION:Art Papers - Long, Art Papers - Short\n\nEnvironmental Inversi
 on: A Collection of Artworks that Subvert Methods of Climate Change Action
 \n\nThis paper details “Environmental Inversion”, artworks that propose a 
 critical examination of climate change and waste creation. “Inversion” is 
 defined as well as its relevance to climate change research followed by pr
 ofiles of several projects examining this exploratory inte...\n\n\nJonah B
 rucker-Cohen (Lehman College, City University of New York)\n--------------
 -------\nExploring the Eco-Digital: Performative Sensing with Plants and D
 ata\n\nConceptual, creative and technical practices involving the ‘eco-dig
 ital’ have been emerging since the nineteen-seventies, however this field 
 has become more significant due to the widespread recognition of the scien
 ce surrounding climate change. While there are many emergent methodologie.
 ..\n\n\nRewa Wright (Queensland University of Technology) and Simon Howden
  (Independent Artist)\n---------------------\nsee-saw: A Kinetic Installat
 ion that Unfolds in Silence Driven by Liquid Flow\n\nsee-saw is a kinetic 
 installation unfolding silently, driven by the behavior of liquid flowing 
 inside the objects. A group of these objects, shaped like seesaws, are ali
 gned. By changing the position of the center of gravity of the liquid insi
 de, each see-saw alters its inclination dynamically. The ...\n\n\nTakafumi
  Morita and Yasuaki Kakehi (University of Tokyo)\n\nRegistration Category:
  Full Access, Enhanced Access, Trade Exhibitor, Experience Hall Exhibitor\
 n\nSession Chair: Victoria Szabo (Duke University)
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