BEGIN:VCALENDAR
VERSION:2.0
PRODID:Linklings LLC
BEGIN:VTIMEZONE
TZID:Australia/Melbourne
X-LIC-LOCATION:Australia/Melbourne
BEGIN:DAYLIGHT
TZOFFSETFROM:+1000
TZOFFSETTO:+1100
TZNAME:AEDT
DTSTART:19721003T020000
RRULE:FREQ=YEARLY;BYMONTH=4;BYDAY=1SU
END:DAYLIGHT
BEGIN:STANDARD
DTSTART:19721003T020000
TZOFFSETFROM:+1100
TZOFFSETTO:+1000
TZNAME:AEST
RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=1SU
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTAMP:20240214T070310Z
LOCATION:Exhibition Hall 1\, Level 2 (Exhibition Centre)
DTSTART;TZID=Australia/Melbourne:20231213T110000
DTEND;TZID=Australia/Melbourne:20231213T173000
UID:siggraphasia_SIGGRAPH Asia 2023_sess114@linklings.com
SUMMARY:Art Gallery
DESCRIPTION:Art Gallery\n\nArt Gallery Theme: In Unruly Times\nAt SIGGRAPH
  Asia 2023, the Art Gallery will showcase works of excellence across the f
 ields of art, science, and technology inclusive of data visualisation, 3D 
 printing, XR, robotics, AI, sonic, performative, NFT and media/interactive
  installation.\nUnruly as found in wild, disorderly, experimental, uncontr
 ollable as well as those freefalling out of control anxious moments spanni
 ng conflict, climate crisis, pandemics, inequality, surveillance, financia
 l and biosystem collapse for instance.\nTimes as in deep time, digital tim
 e, analogue time, circular, ancestral, mechanical, felt time or as a finit
 e resource. These are times that call for an increasing need for practices
  to be sustainable, kinder, agile, and scalable and more inclusive of dive
 rgent voices and bodies and experimental unexpected processes.\n\nWe cordi
 ally invite you to join us at the SIGGRAPH Asia 2023 Art Gallery in Sydney
 , Australia as we question, play, and confront the unruly turbulent times 
 in which we live!\n\nSuperb Lyrebird Sequences, 2023.\n\nSuperb Lyrebird S
 equences, 2023. Inspired by the natural and artificial phenomenon of mimic
 ry, this project explores the intricate dynamics of representation, percep
 tion, and deception, through documentary footage of Lyrebirds, Artificiall
 y Intelligent interpretations of hybrid animals, and virtual ...\n\n\nWade
  Marynowsky (University of Technology Sydney)\n---------------------\nSonu
 s Maris; Strange Attractor\n\nThe work employs four decades of legacy sate
 llite images and a novel algorithm to retro-analyse the dynamics of ICOLLs
  (Intermittently Closed and Open Lakes and Lagoons). The visualisation and
  sonification reveal the flow patterns and frequencies of these water bodi
 es demonstrating the cyclical inte...\n\n\nNigel Llwyd William Helyer (Son
 icObjects; SonicArchitecture, Macquarie University)\n---------------------
 \nExquisite Corpus\n\nExploring the human organism in the absence of the v
 isual bias of the flesh, Exquisite Corpus presents artificial, volumetric 
 radiological scans produced through machine learning blended medical data 
 to present chimeric, non-mendelian avatars of the human interior.\n\n\nKev
 in Blackistone (N/A)\n---------------------\nThrough The Eyes Of Our Ances
 tors\n\nA holographic experience featuring First Nations Traditional Owner
 , Nicholas Thompson-Wymarra, sharing stories from Gudang Yadhaykenu Countr
 y in Australia’s remote far north, the northern Cape York Peninsula. Prese
 nted by AFTRS in collaboration with Mod, in collaboration with Gudang Yadh
 ayhenu...\n\n\nMichela Ledwidge (Mod) and Nicholas Thompson-Wymarra (Gudan
 g Yadhayhenu Tribal Governance Council)\n---------------------\nPenumbra2.
 0\n\nPenumbra is an AI immersive art installation exploring the visualisat
 ion of an unpredictable extreme wildfire scenario using a fire informed ae
 sthetic. Recreating an actual wildfire in the Vosges, France, 2020, it has
  been collaboratively developed by art, AI and fire researchers at UNSW, U
 niversity...\n\n\nDennis Del Favero (UNSW iCinema Centre), Yang Song (UNSW
 ), Khalid Moinuddin (Victoria University), Charles Green (University of Me
 lbourne), Jason Sharples (ADFA), and alex Ong and Navin Brohier (UNSW)\n--
 -------------------\nFusion: Landscape and Beyond 2.0\n\n"Fusion: Landscap
 e and Beyond 2.0" is an interactive installation that dynamically blends u
 rban cityscapes with traditional Chinese landscapes, influenced by AI's ev
 olving understanding of our world. As viewers traverse the exhibit, their 
 movements trigger real-time changes in the digital landscape,...\n\n\nMing
 yong Cheng and Xuexi Dang (University of California San Diego) and Zetao Y
 u (Independent)\n---------------------\nΔt-Sphere\n\nThe artwork "Δt-Spher
 e" expresses the concept of "Floating Liquid Encased in a Sphere" using ac
 rylic sheets and a piano wire. \nThrough an innovative and interactive exp
 erience, combined of the beauty of man-made objects and nature, this artwo
 rk offers  a healing through shimmering and new persp...\n\n\nMasaki Kanay
 ama (Nagaoka Institute of Design, University of Tokyo) and Shunji YAMANAKA
  (Japan/Tokyo University)\n---------------------\nInfinite Colours\n\n"Inf
 inite Colours" brings 2,499 videogame titles into a slow canvas of accumul
 ative light. Each game adds a unique shape and colour onto the canvas and 
 plays a unique string of notes. Over 8 hours, the canvas will be filled wi
 th infinite colours to celebrate LGBTQIA+ independent videogames.\n\n\nXav
 ier Ho and Stephen Krol (Monash University)\n---------------------\nLightS
 ense - Long Distance\n\n'LightSense-Long Distance' links an interactive in
 stallation located at EPFL Pavilions in Lausanne with the audience at SIGG
 RAPH in Sydney. It is a cyber-physical construction controlled by a cloud-
 based AI system, which is able to engage in verbal conversations and to tr
 ansform into immersive space...\n\n\nUwe Rieger and Yinan Liu (University 
 of Auckland, arc/sec Lab); Tharindu Kaluarachchi (University of Auckland, 
 Augmented Human Lab); Amit Barde, Huidong Bai, and Alaeddin Nassani (Unive
 rsity of Auckland, Empathic Computing Lab); Suranga Nanayakkara (National 
 University of Singapore, Augmented Human Lab); and Mark Billinghurst (Univ
 ersity of Auckland, Empathic Computing Lab)\n---------------------\nMākū, 
 te hā o Haupapa: Moisture, the breath of Haupapa\n\nThe artists relinquish
  the ordering and qualities of sound and video to the weather conditions o
 f Aoraki, recorded by NIWA instruments in place near the Haupapa glacier, 
 which feed a generative installation.\n\n\nStefan Marks, Janine Randerson,
  and Rachel Shearer (Auckland University of Technology); Ron Bull (Otago P
 olytechnic); and Heather Purdie (University of Canterbury)\n--------------
 -------\nAI History 1890-2090\n\nLetting AI tell its own history gives the
  audience a sense of the fictionality and reality that AI brings to the wo
 rld. This is what this art work is about.\n\n\nKaihei HASE (Kansai Univers
 ity) and Syunji YAZAKI (The University of Electro-Communications)\n-------
 --------------\nCymatic Ground\n\nCymatic Ground is an interactive sound i
 nstallation doubling as a model of an old neighborhood in Hong Kong. Its m
 etallic body is covered by a fine layer of sand that creates shapes (or de
 stroy them) in response to the sounds and vibrations of the larger environ
 ment it is immersed in.\n\n\nAlvaro Cassinelli and Tobias Klein (School of
  Creative Media, City University of Hong Kong)\n---------------------\nGeo
 mart-ut7: Encountering Geometric Patterns in Media Arts\n\nArtwork: Geomar
 t-ut7\nTechnic: Technological Arts, Creative Coding, Randomness\nDimension
 s: Various dimensions \nYear: 2022\n\n\nSelcuk Artut (Sabanci University)\
 n---------------------\nPlastic Landscape - The Reversible World\n\n“Plast
 ic Landscape - The Reversible World” is an AI-generated 3D animated video 
 design that shows the apocalyptic and surreal world surrounded by artifici
 al plastic mixtures and objects in the ocean, urban city, Antarctica, and 
 forest. This new multi-sensory artwork addresses the awarene...\n\n\nYoon 
 Chung Han (San Jose State University), Seong-Lyun Kim (Yonsei University),
  and Hung Tsai (San Jose State University)\n---------------------\nThe Gar
 den of Unearthly Delights\n\nThe Garden of Earthly Delights is a real-time
  visualisation in which user decisions within a branching medieval poem af
 fect the dynamics of three biomes: Earth, Heaven and Hell. Each interactio
 n is mapped to a set of algorithms that cause each world to evolve to depi
 ct the users' sentiments.\n\n\nAndrew Yip (UNSW)\n---------------------\nT
 reeGAN\n\nThe TreeGAN project explores how machine learning and generative
  adversarial networks shape 3D object creation. By synthesizing a dataset 
 of 3D trees, it examines the intersection of machine learning and organic 
 forms using a combination of animation, painting and 3D printing.\n\n\nPet
 er A C Nelson (Hong Kong Baptist University)\n---------------------\n#peac
 hes\n\n#peaches explores AI-generated self-portraits, racial bias inherent
  in this technology, and its disruption to ancestral time. Beginning with 
 the artist's self-portrait, the resulting AI imagery of poor, angry, black
  women, reproduces negative stereotypes, inscribing self as other. The tit
 le referenc...\n\n\nNooroa Tapuni (AUT University)\n---------------------\
 nAquasia\n\nEmbark on a mesmerising virtual reality journey to ‘Aquasia’, 
 the world's first educational\nmetaworld set in a floating city in Asia. T
 his imaginary marine utopia hopes to spark conversations and catalyse acti
 on towards the future of human habitats in the face of rising sea levels.\
 n\n\nKay Vasey and Olivier Bos (MeshMinds Pte. Ltd., The MeshMinds Foundat
 ion Ltd.); Race Krehel (Metamo Industries); and Colin Seah (Ministry of De
 sign)\n---------------------\nBending the Light: Next generation anamorphi
 c sculptures\n\nIn Bending the Light the holographic or ghost-like appeara
 nce of the reflection results from the interplay between the mirror, sculp
 ture and the eye of the viewer (https://www.nicopietroni.com/bendingthelig
 ht)\n\n\nLouis Pratt and Nico Pietroni (University of Technology Sydney)\n
 ---------------------\nAI Nüshu (Women's scripts) - An Exploration of Lang
 uage Emergence in Sisterhood\n\n"AI Nüshu" is an interactive art installat
 ion that uses artificial intelligence to simulate the creation of a unique
  language system, inspired by Nüshu, a script developed by women in ancien
 t China. This work explores the intersection of technology, language, cult
 ural heritage, and feminist perspect...\n\n\nYuqian Sun (Computer Science 
 Research Centre, Royal College of Art); Yuying Tang (Academy of Arts & Des
 ign, Tsinghua University; Academy and the School of Design, Politecnico di
  Milano); Ze Gao (Hong Kong University of Science and Technology); Zhijun 
 Pan (Ubisoft); Chuyan Xu (New Drama Studio); Zhigang Wang (Tsinghua Univer
 sity); Tristan Braud (Hong Kong University of Science and Technology); Cha
 ng Hee Lee (Affective Systems and Cognition Lab, Korea Advanced Institute 
 of Science and Technology (KAIST)); and Ali Asadipour (Computer Science Re
 search Centre, Royal College of Art)\n---------------------\nVisions of De
 struction\n\n"Visions of Destruction" is an interactive AI-aided artwork t
 hat uses viewer’s gaze to depict humanity's environmental impact. Real-tim
 e transformations, facilitated by eye-tracking and Stable Diffusion, echo 
 the urgency of the climate crisis and serves as an actionable call for env
 ironmental ...\n\n\nMar Canet Sola (Tallinn university, Varvara & Mar) and
  Varvara Guljajeva (Hong Kong University of Science and Technology (Guangz
 hou), Hong Kong University of Science and Technology)\n-------------------
 --\nSensitive Floral\n\n"Sensetive Floral" is an interactive, generative a
 rtwork that ventures into the exploration of a generative system, biomimet
 ically emulating the reactive behaviors of the Mimosa pudica plant. By syn
 thesizing the complexity of fractal tree data structures with the CA mecha
 nisms of grid computations, ...\n\n\nScottie Chih-Chieh Huang (National Ts
 ing Hua University)\n---------------------\nAguaviva\n\nA jellyfish swims 
 around in a saltwater dome. A camera tracks its movement and turns it into
  an ever-changing string of random numbers.\n\nThe numerical string create
 d by the jellyfish is offered up in real-time to encryption companies to u
 se at their discretion.\n\n\nThomas Marcusson (Artist)\n------------------
 ---\nErased Murmurs\n\nErased Murmurs is an installation that highlights d
 isappearing graffiti with simple yet emotionally significant words. It fea
 tures a book of graffiti photos concealed with special ink. The artwork in
 vites viewers to reveal the hidden messages using infrared reflectography 
 and to think critically abo...\n\n\nMiu Ling Lam (School of Creative Media
 , City University of Hong Kong)\n\nRegistration Category: Full Access, Bus
 iness & Innovation Symposium Access, Exhibit & Experience Access, Enhanced
  Access, Trade Exhibitor, Experience Hall Exhibitor
END:VEVENT
END:VCALENDAR