BEGIN:VCALENDAR VERSION:2.0 PRODID:Linklings LLC BEGIN:VTIMEZONE TZID:Australia/Melbourne X-LIC-LOCATION:Australia/Melbourne BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 TZNAME:AEDT DTSTART:19721003T020000 RRULE:FREQ=YEARLY;BYMONTH=4;BYDAY=1SU END:DAYLIGHT BEGIN:STANDARD DTSTART:19721003T020000 TZOFFSETFROM:+1100 TZOFFSETTO:+1000 TZNAME:AEST RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=1SU END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTAMP:20240214T070244Z LOCATION:Meeting Room C4.3\, Level 4 (Convention Centre) DTSTART;TZID=Australia/Melbourne:20231213T143000 DTEND;TZID=Australia/Melbourne:20231213T144500 UID:siggraphasia_SIGGRAPH Asia 2023_sess208_artpl_141@linklings.com SUMMARY:Computational Three Distances: Exploring the Aesthetics of the Sou thern Song Dynasty and Its Adapted Simulation and Rendering DESCRIPTION:Art Papers - Long, Art Papers - Short\n\nChi-min Hsieh and Hsi ao-ching Chou (Institute of Applied Arts, National Yang Ming Chiao Tung Un iversity)\n\nThis paper references the painting theory of the three distan ces concept from the Southern Song Dynasty. It introduces a contemporary r einterpretation termed "Computational Three Distances," which employs comp uter algorithms as the means of painting, departing from traditional ink-b rush techniques. The three distances encompass "micro-distance, volume-dis tance, and time-distance." This study reexamines the adjustability of micr oscopic world units, the density of medium within volumes along with light scattering effects, and the accumulation and erosion of time. It then put s this theory into practice, offering illustrative methods for each aspect .\n\nRegistration Category: Full Access, Enhanced Access, Trade Exhibitor, Experience Hall Exhibitor\n\nSession Chair: Victoria Szabo (Duke Universi ty) URL:https://asia.siggraph.org/2023/full-program?id=artpl_141&sess=sess208 END:VEVENT END:VCALENDAR