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BEGIN:VEVENT
DTSTAMP:20240214T070311Z
LOCATION:Meeting Room C4.9+C4.10\, Level 4 (Convention Centre)
DTSTART;TZID=Australia/Melbourne:20231213T164000
DTEND;TZID=Australia/Melbourne:20231213T173100
UID:siggraphasia_SIGGRAPH Asia 2023_sess126@linklings.com
SUMMARY:TechScape
DESCRIPTION:Technical Communications, Technical Papers\n\nThe Effects of A
 vatar Voice and Facial Expression Intensity on Emotional Recognition and U
 ser Perception\n\nThis study investigates the role of avatars' vocal and f
 acial expression intensity on perceived realism and emotional recognition.
   Vocal intensity affected emotional recognition while facial expression i
 ntensity affected perceived realism.\n\n\nTrinity Suma (Columbia Universit
 y); Birate Sonia (University of Virginia); Kwame Agyemang Baffour (Graduat
 e Center, City University of New York); and Oyewole Oyekoya (Hunter Colleg
 e, City University of New York)\n---------------------\nPerceptually Adapt
 ive Real-Time Tone Mapping\n\nTone mapping operators aim to remap content 
 to a display's dynamic range. Virtual reality is a popular new display mod
 ality that has significant differences from other media, making the use of
  traditional tone mapping techniques difficult. Moreover, real-time adapti
 ve estimation of tone curves that ...\n\n\nTaimoor Tariq (Meta, Università
  della Svizzera italiana) and Nathan Matsuda, Eric Penner, Jerry Jia, Doug
 las Lanman, Ajit Ninan, and Alexandre Chapiro (Meta)\n--------------------
 -\nPerceptual Requirements for World-Locked Rendering in AR and VR\n\nSter
 eoscopic, head-tracked display systems can show users realistic, world-loc
 ked virtual objects and environments. However, discrepancies between the r
 endering pipeline and physical viewing conditions can lead to perceived in
 stability in the rendered content resulting in reduced realism, immersion,
 ...\n\n\nPhillip Guan, Eric Penner, Joel Hegland, Benjamin Letham, and Dou
 glas Lanman (Meta Reality Labs Research)\n---------------------\nComparing
  Cinematic Conventions through Emotional Responses in Cinematic VR and Tra
 ditional Mediums\n\nThis study explores the emotional impact of cinematic 
 techniques in Cinematic Virtual Reality versus traditional mediums, highli
 ghting CVR's unique engagement potential and suggesting a refined visual l
 anguage for immersive storytelling.\n\n\nZhiyuan Yu and Cheng-Hung Lo (Xi'
 an Jiaotong Liverpool University), Mutian Niu (Monash University), and Hai
 -Ning Liang (Xi'an Jiaotong Liverpool University)\n---------------------\n
 The Shortest Route Is Not Always the Fastest: Probability-Modeled Stereosc
 opic Eye Movement Completion Time in VR\n\nSpeed and consistency of target
 -shifting play a crucial role in human ability to perform complex tasks. S
 hifting our gaze between objects of interest quickly and consistently requ
 ires changes both in depth and direction. Gaze changes in depth are driven
  by slow, inconsistent vergence movements which...\n\n\nBudmonde Duinkharj
 av and Benjamin Liang (New York University), Anjul Patney and Rachel Brown
  (NVIDIA Research), and Qi Sun (New York University)\n\nRegistration Categ
 ory: Full Access\n\nSession Chair: Jin Ryong Kim (TBU)
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