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DTSTAMP:20240214T070311Z
LOCATION:Exhibition Hall 1\, Level 2 (Exhibition Centre)
DTSTART;TZID=Australia/Melbourne:20231214T100000
DTEND;TZID=Australia/Melbourne:20231214T173000
UID:siggraphasia_SIGGRAPH Asia 2023_sess115@linklings.com
SUMMARY:Art Gallery
DESCRIPTION:Art Gallery\n\nArt Gallery Theme: In Unruly Times\nAt SIGGRAPH
  Asia 2023, the Art Gallery will showcase works of excellence across the f
 ields of art, science, and technology inclusive of data visualisation, 3D 
 printing, XR, robotics, AI, sonic, performative, NFT and media/interactive
  installation.\nUnruly as found in wild, disorderly, experimental, uncontr
 ollable as well as those freefalling out of control anxious moments spanni
 ng conflict, climate crisis, pandemics, inequality, surveillance, financia
 l and biosystem collapse for instance.\nTimes as in deep time, digital tim
 e, analogue time, circular, ancestral, mechanical, felt time or as a finit
 e resource. These are times that call for an increasing need for practices
  to be sustainable, kinder, agile, and scalable and more inclusive of dive
 rgent voices and bodies and experimental unexpected processes.\n\nWe cordi
 ally invite you to join us at the SIGGRAPH Asia 2023 Art Gallery in Sydney
 , Australia as we question, play, and confront the unruly turbulent times 
 in which we live!\n\nSuperb Lyrebird Sequences, 2023.\n\nSuperb Lyrebird S
 equences, 2023. Inspired by the natural and artificial phenomenon of mimic
 ry, this project explores the intricate dynamics of representation, percep
 tion, and deception, through documentary footage of Lyrebirds, Artificiall
 y Intelligent interpretations of hybrid animals, and virtual ...\n\n\nWade
  Marynowsky (University of Technology Sydney)\n---------------------\nSonu
 s Maris; Strange Attractor\n\nThe work employs four decades of legacy sate
 llite images and a novel algorithm to retro-analyse the dynamics of ICOLLs
  (Intermittently Closed and Open Lakes and Lagoons). The visualisation and
  sonification reveal the flow patterns and frequencies of these water bodi
 es demonstrating the cyclical inte...\n\n\nNigel Llwyd William Helyer (Son
 icObjects; SonicArchitecture, Macquarie University)\n---------------------
 \nExquisite Corpus\n\nExploring the human organism in the absence of the v
 isual bias of the flesh, Exquisite Corpus presents artificial, volumetric 
 radiological scans produced through machine learning blended medical data 
 to present chimeric, non-mendelian avatars of the human interior.\n\n\nKev
 in Blackistone (N/A)\n---------------------\nThrough The Eyes Of Our Ances
 tors\n\nA holographic experience featuring First Nations Traditional Owner
 , Nicholas Thompson-Wymarra, sharing stories from Gudang Yadhaykenu Countr
 y in Australia’s remote far north, the northern Cape York Peninsula. Prese
 nted by AFTRS in collaboration with Mod, in collaboration with Gudang Yadh
 ayhenu...\n\n\nMichela Ledwidge (Mod) and Nicholas Thompson-Wymarra (Gudan
 g Yadhayhenu Tribal Governance Council)\n---------------------\nFusion: La
 ndscape and Beyond 2.0\n\n"Fusion: Landscape and Beyond 2.0" is an interac
 tive installation that dynamically blends urban cityscapes with traditiona
 l Chinese landscapes, influenced by AI's evolving understanding of our wor
 ld. As viewers traverse the exhibit, their movements trigger real-time cha
 nges in the digital landscape,...\n\n\nMingyong Cheng and Xuexi Dang (Univ
 ersity of California San Diego) and Zetao Yu (Independent)\n--------------
 -------\nΔt-Sphere\n\nThe artwork "Δt-Sphere" expresses the concept of "Fl
 oating Liquid Encased in a Sphere" using acrylic sheets and a piano wire. 
 \nThrough an innovative and interactive experience, combined of the beauty
  of man-made objects and nature, this artwork offers  a healing through sh
 immering and new persp...\n\n\nMasaki Kanayama (Nagaoka Institute of Desig
 n, University of Tokyo) and Shunji YAMANAKA (Japan/Tokyo University)\n----
 -----------------\nPenumbra2.0\n\nPenumbra is an AI immersive art installa
 tion exploring the visualisation of an unpredictable extreme wildfire scen
 ario using a fire informed aesthetic. Recreating an actual wildfire in the
  Vosges, France, 2020, it has been collaboratively developed by art, AI an
 d fire researchers at UNSW, University...\n\n\nDennis Del Favero (UNSW iCi
 nema Centre), Yang Song (UNSW), Khalid Moinuddin (Victoria University), Ch
 arles Green (University of Melbourne), Jason Sharples (ADFA), and alex Ong
  and Navin Brohier (UNSW)\n---------------------\nInfinite Colours\n\n"Inf
 inite Colours" brings 2,499 videogame titles into a slow canvas of accumul
 ative light. Each game adds a unique shape and colour onto the canvas and 
 plays a unique string of notes. Over 8 hours, the canvas will be filled wi
 th infinite colours to celebrate LGBTQIA+ independent videogames.\n\n\nXav
 ier Ho and Stephen Krol (Monash University)\n---------------------\nLightS
 ense - Long Distance\n\n'LightSense-Long Distance' links an interactive in
 stallation located at EPFL Pavilions in Lausanne with the audience at SIGG
 RAPH in Sydney. It is a cyber-physical construction controlled by a cloud-
 based AI system, which is able to engage in verbal conversations and to tr
 ansform into immersive space...\n\n\nUwe Rieger and Yinan Liu (University 
 of Auckland, arc/sec Lab); Tharindu Kaluarachchi (University of Auckland, 
 Augmented Human Lab); Amit Barde, Huidong Bai, and Alaeddin Nassani (Unive
 rsity of Auckland, Empathic Computing Lab); Suranga Nanayakkara (National 
 University of Singapore, Augmented Human Lab); and Mark Billinghurst (Univ
 ersity of Auckland, Empathic Computing Lab)\n---------------------\nMākū, 
 te hā o Haupapa: Moisture, the breath of Haupapa\n\nThe artists relinquish
  the ordering and qualities of sound and video to the weather conditions o
 f Aoraki, recorded by NIWA instruments in place near the Haupapa glacier, 
 which feed a generative installation.\n\n\nStefan Marks, Janine Randerson,
  and Rachel Shearer (Auckland University of Technology); Ron Bull (Otago P
 olytechnic); and Heather Purdie (University of Canterbury)\n--------------
 -------\nAI History 1890-2090\n\nLetting AI tell its own history gives the
  audience a sense of the fictionality and reality that AI brings to the wo
 rld. This is what this art work is about.\n\n\nKaihei HASE (Kansai Univers
 ity) and Syunji YAZAKI (The University of Electro-Communications)\n-------
 --------------\nCymatic Ground\n\nCymatic Ground is an interactive sound i
 nstallation doubling as a model of an old neighborhood in Hong Kong. Its m
 etallic body is covered by a fine layer of sand that creates shapes (or de
 stroy them) in response to the sounds and vibrations of the larger environ
 ment it is immersed in.\n\n\nAlvaro Cassinelli and Tobias Klein (School of
  Creative Media, City University of Hong Kong)\n---------------------\nGeo
 mart-ut7: Encountering Geometric Patterns in Media Arts\n\nArtwork: Geomar
 t-ut7\nTechnic: Technological Arts, Creative Coding, Randomness\nDimension
 s: Various dimensions \nYear: 2022\n\n\nSelcuk Artut (Sabanci University)\
 n---------------------\nPlastic Landscape - The Reversible World\n\n“Plast
 ic Landscape - The Reversible World” is an AI-generated 3D animated video 
 design that shows the apocalyptic and surreal world surrounded by artifici
 al plastic mixtures and objects in the ocean, urban city, Antarctica, and 
 forest. This new multi-sensory artwork addresses the awarene...\n\n\nYoon 
 Chung Han (San Jose State University), Seong-Lyun Kim (Yonsei University),
  and Hung Tsai (San Jose State University)\n---------------------\nThe Gar
 den of Unearthly Delights\n\nThe Garden of Earthly Delights is a real-time
  visualisation in which user decisions within a branching medieval poem af
 fect the dynamics of three biomes: Earth, Heaven and Hell. Each interactio
 n is mapped to a set of algorithms that cause each world to evolve to depi
 ct the users' sentiments.\n\n\nAndrew Yip (UNSW)\n---------------------\nT
 reeGAN\n\nThe TreeGAN project explores how machine learning and generative
  adversarial networks shape 3D object creation. By synthesizing a dataset 
 of 3D trees, it examines the intersection of machine learning and organic 
 forms using a combination of animation, painting and 3D printing.\n\n\nPet
 er A C Nelson (Hong Kong Baptist University)\n---------------------\nAquas
 ia\n\nEmbark on a mesmerising virtual reality journey to ‘Aquasia’, the wo
 rld's first educational\nmetaworld set in a floating city in Asia. This im
 aginary marine utopia hopes to spark conversations and catalyse action tow
 ards the future of human habitats in the face of rising sea levels.\n\n\nK
 ay Vasey and Olivier Bos (MeshMinds Pte. Ltd., The MeshMinds Foundation Lt
 d.); Race Krehel (Metamo Industries); and Colin Seah (Ministry of Design)\
 n---------------------\nBending the Light: Next generation anamorphic scul
 ptures\n\nIn Bending the Light the holographic or ghost-like appearance of
  the reflection results from the interplay between the mirror, sculpture a
 nd the eye of the viewer (https://www.nicopietroni.com/bendingthelight)\n\
 n\nLouis Pratt and Nico Pietroni (University of Technology Sydney)\n------
 ---------------\nErased Murmurs\n\nErased Murmurs is an installation that 
 highlights disappearing graffiti with simple yet emotionally significant w
 ords. It features a book of graffiti photos concealed with special ink. Th
 e artwork invites viewers to reveal the hidden messages using infrared ref
 lectography and to think critically abo...\n\n\nMiu Ling Lam (School of Cr
 eative Media, City University of Hong Kong)\n---------------------\nAI Nüs
 hu (Women's scripts) - An Exploration of Language Emergence in Sisterhood\
 n\n"AI Nüshu" is an interactive art installation that uses artificial inte
 lligence to simulate the creation of a unique language system, inspired by
  Nüshu, a script developed by women in ancient China. This work explores t
 he intersection of technology, language, cultural heritage, and feminist p
 erspect...\n\n\nYuqian Sun (Computer Science Research Centre, Royal Colleg
 e of Art); Yuying Tang (Academy of Arts & Design, Tsinghua University; Aca
 demy and the School of Design, Politecnico di Milano); Ze Gao (Hong Kong U
 niversity of Science and Technology); Zhijun Pan (Ubisoft); Chuyan Xu (New
  Drama Studio); Zhigang Wang (Tsinghua University); Tristan Braud (Hong Ko
 ng University of Science and Technology); Chang Hee Lee (Affective Systems
  and Cognition Lab, Korea Advanced Institute of Science and Technology (KA
 IST)); and Ali Asadipour (Computer Science Research Centre, Royal College 
 of Art)\n---------------------\nVisions of Destruction\n\n"Visions of Dest
 ruction" is an interactive AI-aided artwork that uses viewer’s gaze to dep
 ict humanity's environmental impact. Real-time transformations, facilitate
 d by eye-tracking and Stable Diffusion, echo the urgency of the climate cr
 isis and serves as an actionable call for environmental ...\n\n\nMar Canet
  Sola (Tallinn university, Varvara & Mar) and Varvara Guljajeva (Hong Kong
  University of Science and Technology (Guangzhou), Hong Kong University of
  Science and Technology)\n---------------------\nSensitive Floral\n\n"Sens
 etive Floral" is an interactive, generative artwork that ventures into the
  exploration of a generative system, biomimetically emulating the reactive
  behaviors of the Mimosa pudica plant. By synthesizing the complexity of f
 ractal tree data structures with the CA mechanisms of grid computations, .
 ..\n\n\nScottie Chih-Chieh Huang (National Tsing Hua University)\n--------
 -------------\nAguaviva\n\nA jellyfish swims around in a saltwater dome. A
  camera tracks its movement and turns it into an ever-changing string of r
 andom numbers.\n\nThe numerical string created by the jellyfish is offered
  up in real-time to encryption companies to use at their discretion.\n\n\n
 Thomas Marcusson (Artist)\n---------------------\n#peaches\n\n#peaches exp
 lores AI-generated self-portraits, racial bias inherent in this technology
 , and its disruption to ancestral time. Beginning with the artist's self-p
 ortrait, the resulting AI imagery of poor, angry, black women, reproduces 
 negative stereotypes, inscribing self as other. The title referenc...\n\n\
 nNooroa Tapuni (AUT University)\n\nRegistration Category: Full Access, Bus
 iness & Innovation Symposium Access, Exhibit & Experience Access, Enhanced
  Access, Trade Exhibitor, Experience Hall Exhibitor
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