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DTSTAMP:20260114T163646Z
LOCATION:Meeting Room C4.3\, Level 4 (Convention Centre)
DTSTART;TZID=Australia/Melbourne:20231214T120000
DTEND;TZID=Australia/Melbourne:20231214T130000
UID:siggraphasia_SIGGRAPH Asia 2023_sess205@linklings.com
SUMMARY:Art Papers 3: Environment and Experience
DESCRIPTION:see-saw: A Kinetic Installation that Unfolds in Silence Driven
  by Liquid Flow\n\nsee-saw is a kinetic installation unfolding silently, d
 riven by the behavior of liquid flowing inside the objects. A group of the
 se objects, shaped like seesaws, are aligned. By changing the position of 
 the center of gravity of the liquid inside, each see-saw alters its inclin
 ation dynamically. The ...\n\n\nTakafumi Morita and Yasuaki Kakehi (Univer
 sity of Tokyo)\n---------------------\nEnvironmental Inversion: A Collecti
 on of Artworks that Subvert Methods of Climate Change Action\n\nThis paper
  details “Environmental Inversion”, artworks that propose a critical exami
 nation of climate change and waste creation. “Inversion” is defined as wel
 l as its relevance to climate change research followed by profiles of seve
 ral projects examining this exploratory inte...\n\n\nJonah Brucker-Cohen (
 Lehman College, City University of New York)\n---------------------\nExplo
 ring the Eco-Digital: Performative Sensing with Plants and Data\n\nConcept
 ual, creative and technical practices involving the ‘eco-digital’ have bee
 n emerging since the nineteen-seventies, however this field has become mor
 e significant due to the widespread recognition of the science surrounding
  climate change. While there are many emergent methodologie...\n\n\nRewa W
 right (Queensland University of Technology) and Simon Howden (Independent 
 Artist)\n\nRegistration Category: Full Access, Enhanced Access, Trade Exhi
 bitor, Experience Hall Exhibitor\n\nSession Chair: Victoria Szabo (Duke Un
 iversity, ACM)
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